Antoinette Myers Perry, is a bicoastal, multidisciplinary artist, filmmaker, painter, and scholar whose semi-figurative/semi-abstract work explores themes of (re)memory, ancestry, and Gullah-Geechee genealogies/generational histories. 

In addition to her art practice, Myers Perry has over a decade of experience in teaching and higher education administration. She holds a Bachelor of Arts degree in Politics and Latin American Studies from Scripps College; a Master of Arts in Education: Policy, Organization, and Leadership Studies from Stanford University; and a Doctorate of Education in Organizational Change and Leadership from the University of Southern California. In 2024, she received a Master of Fine Arts, with a certificate in College Teaching of Art, from the LeRoy E. Hoffberger School of Painting at Maryland Institute College of Art.

Her art has already been included in various important exhibitions including “SOLACE” at The Peale Museum (Baltimore, MD), “The New Art School Modality Intervention: FESTAC’77” at the 2024 Lagos Biennial (Lagos, Nigeria), and, “sometimes you just have to pick the cotton and smile” at Spare Room Gallery (Baltimore, MD). Her mural “divine inspiration”, which honors seven notable Black women in Oregon history, has been displayed at the Oregon State Capitol, Portland City Hall, and Alberta Street ArtWalk and is on permanent display at the Avel Gordly Albina Headstart Headquarters in Portland, OR. 

Currently, Dr. Myers Perry is serving as a 2024-2025 AICAD Post-Graduate Teaching Fellow in the Creative and Critical Studies department at Moore College of Art and Design in Philadelphia, PA.